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The State of the Art in Digital Humanities Lewis Lancaster
Abstract The history of information technology has shown that new generations of software and hardware are short-lived and dramatically different from one another. Applications of digital formats that were at the very limits of our capacities a few years ago, tend to become amusing as we compare them with current equipment and programs. At the same time, any tendency to sit back and wait for the future before entering into and contributing to technology advances cannot be characterized as the exercise of prudence. The reluctance of many scholars in the humanities to step forward and take risks in an age where printing has been encapsulated by the digital, has placed our fields at a disadvantage. Caution, with regard to the new, often only implies fear of failure. These are not offenses that apply to those in this conference. In the field of Buddhist studies, the hard work of creating data and strategies of research have come from this small community who are meeting here. I believe that you all deserve an enthusiastic expression of approval. You have been the pioneers who had the ability and the capacity for endurance and resolution. From your energy that has been directed toward the actual work of digitization, we have seen the rise of the productive power of scholars. The appearance of Buddhist canons in electronic medium has transformed what was once merely theoretical and speculative into a practical and fundamental part of scholarly research. The digital texts, dictionaries, and tools for users are the support from which future insights and research additions will be derived. The codex will not be soon replaced but it is less important as an element in study than was the case a decade ago.
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